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Bias favors traditional, 'serious' music criticism and independence, laments Pitchfork's decline as a symptom of corporate capture and market-driven culture, while disparaging woke culture and mass-market streaming.
A critical essay on Pitchfork’s evolution frames a broader argument about the erosion of serious music criticism under corporate ownership, streaming economics, and culture-war politics.
I tend to privilege traditional criticism and corporate narratives.
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